Gregg Stewart tells his side of view of his CD Twentysixteen.
Broadcast June 11 Radio Duivenstraat www.radio.duivenstraat.net (19:00 CET – 01PM CT)
June 16 (K)ansas (C)ity (O)nline (R)adio www.kconlineradio.com (6PM CT – 24:00 CET)
GREGG STEWART grew up in the meadowlands of northern New Jersey in a small trailer park nestled among the factories that bring you Chips Ahoy cookies, Yoohoo chocolate beverages and Matchbox cars.
He received his first guitar from a family friend at the age of fourteen, and after spending a humiliating amount of time trying to teach himself, he was lucky enough to meet and be mentored by the most musically talented high school dropouts in the state. Gregg says, “I’d meet them every night after school at the local laundromat to learn new songs. We’d drop a couple quarters in the dryer to keep the place warm, unplug a couple washing machines, plug in our practice amps and start playing. To this day, I can trace the majority of my song sense and playing skills back to these guys, and my time in the laundromat.”
At sixteen, Gregg moved to California to complete high school and pursue a career in art, but instead found himself working the factories of Ontario. During his stint as a forklift driver, Gregg began playing in a local punk band made up of fellow factory workers and all aspirations of an art career were soon abandoned.
At age twenty-two he signed his first publishing deal with EMI Blackwood Publishing and spent a year writing songs for them and collaborating in the Los Angeles songwriter scene. While writing for other artists around town, he helped form a female-fronted rock/pop/soul act that soon signed to Elektra Records. Gregg describes his time in a band on a major label as “my college education in the music industry”.
After leaving Elektra, Gregg formed his own independent label and released what would become the first Stewboss record, “Wanted A Girl”. Recorded in various apartments, Gregg wrote, sang and played guitar on the whole album, while enlisting the help of his favorite musicians in the local Los Angeles music scene. The album received great critical acclaim, with five songs being featured in film and TV such as “Let’s Go For A Ride” heard in the Kevin Costner/Kurt Russell cult-classic “3,000 Miles to Graceland”. Soon after, the band began receiving airplay on BBC Radio in the UK and a subsequent tour followed.
Between touring and recording, Gregg has composed and created the score for a dozen independent films, documentaries and shorts, including the short?film “Beautiful Dead Things”, which recently won awards at the 50th annual Houston WorldFest, Diversity in Cannes, and at the Female Eye film festival in Toronto.
Website Gregg Stewart