Release Date: March 18, 2022
Format: CD, LP, DL & STREAM
Label: Black Hen Music
Steve Dawson has always been hard to pin down. A guitarist, a composer, a sought after musical enabler and sideman? Of course, he’s all of those things and more, but none of those descriptions really do the seven-time Juno Award-winning musician justice.
Since moving to Nashville in 2013, it’s been full tilt for the Vancouver native. When not producing albums for a slew of roots artists, touring and recording under his own name, or putting together his acclaimed ‘Music Makers and Soul Shakers’ podcast (now clocking in at well over a hundred episodes), Steve was usually out on the road supporting friends such as the Maritime powerhouse Matt Andersen, or Birds of Chicago, with whom he’s played over 250 shows in the past three years.
In 2019 and coming into early 2020, Dawson was as busy as he’d ever been in his life. So, when the pandemic hit, like everybody else, he had to reassess and figure out what to do to stay afloat. It’s an old story by now, but the reality is that the same quarantine that closed so many doors in our daily lives, created the opportunity for Steve to work on a large volume of music that would never have seen the light of day otherwise. While perfecting his remote recording techniques, producing and playing on tracks for many other artists, this flurry of activity resulted in enough solo material for three distinct albums, the first of which, Gone, Long Gone, reflects Dawson’s mastery of songcraft.
Gone, Long Gone is Steve’s first collection of songs since Solid States and Loose Ends came out in 2016 and features nine original cuts (mostly co-written with Alberta songwriter Matt Patershuk) and a soulful cover of The Faces’ ‘Ooh La La’.
These new originals represent the first time Dawson has collaborated on songs with another artist, conceding that co-writing was a process that he previously found uncomfortable. But, once Patershuk started firing off ideas to Steve, the ball got rolling, ideas flowed back and forth, and once the dust had settled, they’d come up with a batch of new songs. The finished product proves that, as much as anything else, Steve Dawson is a singersongwriter of the highest calibre and that Gone, Long Gone is the most realized album to be released under his own name to date.
As a sideman, Steve mastered the art of playing in the background a long time ago, so it’s really a treat to hear him front and centre in these new songs. His subtle vocals on tracks like the title cut, ‘Gone, Long Gone’ – buoyed by gentle guitar, pedal steel and a virtual string quartet featuring Nashville’s Ben Plotnick and Kaitlyn Raitz – show just how underappreciated a singer Dawson is. Steve is always striving for captivating and unusual guitar tones and his array of small and unusual vintage amps highlights his distinctive tonal pallet.
Like all of Steve’s albums, Gone, Long Gone features brilliant instrumental performances from some of the finest players in roots music. Jeremy Holmes holds everything together on bass, with drumming split between Gary Craig and Jay Bellerose (both drummers play together on ‘6 Skeletons in a Car’), while Kevin McKendree and Chris Gestrin laid down the piano, organ and other keyboards. Steve’s old Birds of Chicago bandmate, Allison Russell joined in to sing on several tracks on the album, with Keri Latimer and Steve’s daughter Casey Dawson each adding their vocals to a song apiece. John Prine alumnus Fats Kaplin dropped in to add some sweet fiddle
to ‘King Benny Had His Shit Together’ (a nod to the wild life of Hawaiian street performer King Bennie Nawahi) with the swooping horns on ‘Dimes’ from Malcolm Aiken, Jerry Cook and Dominic Conway providing one of the album’s many highlights.
It wouldn’t be a Steve Dawson album without at least one instrumental track and ‘Kulaniapia Waltz’, a beautiful textured, lilting Hawaiian string tune provides a reflective counterpoint to the other songs.
Sometimes things happen for a reason. As much as everyone has suffered through the past year, the beautiful music featured on Gone, Long Gone shows us that there is a bright side to our enforced isolation. But, it is not simply a record of the pandemic. These are songs with a life of their own that will resonate long after the memories of our current situation have faded.
Gone, Long Gone is just the first of three new albums that Steve created during the lockdown. The next two will come to light over three month intervals throughout 2022. Be on the lookout for a moody, psychedelic pedal steel excursion coming up next!
Praise for Steve Dawson
“Dawson is one of the premier acoustic guitar-meisters of his generation.” – Blues in Britain
“Fabulous” Classic Rock
“Steve Dawson should be a household name among roots music fans.” – Elmore Magazine
“Since the beginning of his career, Dawson has beguiled his listeners with his unforced approach to slide and fingerstyle guitar. Nimble melodies dance through the undercurrent of his deceptively simple songs, but scratch a little below the surface and there’s a wealth of musical riches embedded in the tracks that slowly reveals itself.” – Folk Radio UK
“If you are a fan of slide guitar, you are gonna love this guy. Steve Dawson is a GREAT slide player, has a distinctive tenor voice and is a very gifted songwriter.” – Maverick
01 Dimes (5:04)
02 King Bennie Had His Shit Together (5:55)
03 Bad Omen (4:38)
04 Gone, Long Gone (5:01)
05 I Just Get Lost (5:09)
06 Kulaniapia Waltz (4:19)
07 6 Skeletons in a Car (4:23)
08 Ooh La La (3.47)
09 Cicada Sanctuary (3:17)
10 Time Has Made a Fool Out of Me (5:06)
Website Steve Dawson